On the night his father dies, Stevens keeps serving dinner. An international conference is underway at Darlington Hall, and the English butler takes pride in carrying out his duties through the crisis. Years later, he remembers the evening as evidence of his dignity. By then, he has spent so long judging himself by how well he does his job that he can tell this story with a measure of satisfaction.
That gap between how Stevens remembers the evening and how we experience it runs through Kazuo Ishiguro’s The Remains of the Day. The novel, which won the 1989 Booker Prize, follows Stevens on a drive through the English countryside in 1956. Away from Darlington Hall, he has time to consider what his professional code asked of him, whose judgment he trusted, and why he wants to see Miss Kenton again.
This analysis discusses key scenes, including the ending.
Dignity gives Stevens a way to judge himself
For Stevens, a great butler remains composed under pressure. At Darlington Hall, that ability has practical value. He can run a demanding household, anticipate what his employer needs and keep an important evening going when something goes wrong.
His father’s death exposes the limits of that standard. Stevens remembers keeping the conference running and sees an achievement. Upstairs, his father is dying, and Miss Kenton is there to tell Stevens when he’s gone. Ishiguro lets both things be true at once. Stevens does his job exceptionally well, and the very qualities he admires in his performance help him avoid reckoning with what it cost him as a son.
Loyalty lets Lord Darlington make the moral decisions
Stevens takes pride in serving Lord Darlington because he believes that serving a man of consequence gives his own work a wider purpose. When Darlington orders him to dismiss two Jewish maids, the consequences of that arrangement reach the people who work alongside him. Stevens carries out the order. Miss Kenton challenges it and considers resigning, though she ultimately stays.
The distinction between their responses matters. Miss Kenton’s failure to leave shows how difficult resistance can be for someone whose livelihood depends on the household. Stevens goes further and treats the decision as a matter for his employer’s judgment. When he later tells Miss Kenton he was troubled by the dismissals, she wants to know why he kept that to himself. His silence left her to object alone, and his private doubts made no difference to the women who lost their jobs.
Stevens remembers the details he knows how to explain
The road trip begins with a plausible professional reason. Darlington Hall is short-staffed under its new owner, Mr. Farraday, and Stevens reads a letter from Miss Kenton as a sign that she might want her old job back. That interpretation lets him plan a visit without having to say how much he wants to see her.
Stevens is an unreliable narrator primarily in how he interprets events. His recollections often give readers enough detail to question his account. In one scene, Miss Kenton finds him reading a sentimental novel in his pantry. Stevens explains that books like it help him improve his English. The explanation makes sense on his terms, and it also gives him a reason to keep a private pleasure squarely within the bounds of his work. On a reread, watch for how often a question about what Stevens enjoys, wants or believes gets answered in the language of professional duty.
The ending gives Stevens a glimpse of what he missed
When they finally meet, Miss Kenton, now Mrs. Benn, admits she has sometimes imagined the life she could have had with Stevens. She has also grown to love her husband and has a life she intends to return to. Her admission matters because she can acknowledge a lost possibility without treating the years since she left Darlington Hall as a mistake.
Later, on the pier at Weymouth, Stevens speaks with a stranger and gives voice to some of his regret. He ends up resolving to get better at banter with Mr. Farraday. It’s a modest ambition with two plausible readings. Banter might allow him to enjoy a little more of the company of others. And by making it a skill to practice for his employer, he can approach even that small pleasure as another part of his job. The novel leaves him there, trying to imagine how to spend the time he has left with the habits that shaped the years behind him.
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For another Ishiguro narrator whose memories reveal more than she says outright, read our Never Let Me Go review.
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