With so many book lists floating around, it feels like there’s always another one waiting to be explored. And honestly, that’s not a bad thing. Different publications bring different perspectives, and sometimes that’s exactly what you need to discover something new. Today, we’re taking a closer look at one of the more interesting ones out there: a Vanity Fair-style best books list.
This is the kind of list that immediately stands out—not necessarily because every pick will appeal to everyone, but because it leans heavily into a very specific identity. And that identity is rooted in culture, conversation, and, of course, people.
If you’ve ever read Vanity Fair, you already know what to expect. It’s a publication that thrives on storytelling tied to real lives, big personalities, and cultural moments. That influence shows up clearly in their book selections. You’re not just getting novels here—you’re getting a mix of literary fiction, memoirs, cultural criticism, and deep dives into the lives of fascinating figures.
That’s what makes this list worth talking about.
Vanity Fair’s Best Books List
- Bad Company by Megan Greenwell
- Flashlight by Susan Choi
- Ruth by Kate Riley
- North Sun, or The Voyage of the Whaleship Esther by Ethan Rutherford
- This Year: 365 Songs Annotated by John Darnielle
- Now Jazz Now by Neneh Cherry, Joe McPhee, Byron Coley, Mats Gustafsson, and Thurston Moore
- Great Black Hope by Rob Franklin
- Dead and Alive by Zadie Smith
- All Consuming: Why We Eat the Way We Eat Now by Ruby Tandoh
- Toni At Random: The Iconic Writer’s Legendary Editorship by Dana A. Williams
- The Dream Hotel by Laila Lalami
- Forest Euphoria: The Abounding Queerness of Nature by Patricia Ononiwu Kaishian
- Paper Girl: A Memoir of Home and Family in a Fractured America, by Beth Macy
- What We Can Know by Ian McEwan
- King of Kings: The Iranian Revolution: A Story of Hubris, Delusion and Catastrophic Miscalculation by Scott Anderson
- Stag Dance: A Novel & Stories by Torrey Peters
- Joyride by Susan Orlean
A List With Personality
One thing I always look for in a book list is whether it feels curated or just assembled. There’s a difference. Some lists feel like they’re checking boxes; award winners, bestsellers, and whatever is trending on social media. Others feel like they’re shaped by a specific point of view.
This list falls into the second category.
You’ll notice right away that it doesn’t try to please everyone. Instead, it leans into what Vanity Fair does best: blending literature with culture. That means you’re going to see books about music, politics, identity, and celebrity right alongside literary fiction.
And honestly, that’s refreshing.
At the same time, it does mean that not every book here is going to land for every reader. If you’re someone who prefers plot-driven thrillers or epic fantasy, this list might not feel like it was made for you. But if you’re open to a mix of storytelling styles and subjects, there’s a lot here to dig into.
The Fiction Standouts
Let’s start with the fiction, because that’s where a lot of readers, including myself, naturally gravitate.
“Flashlight” by Susan Choi is one of the most talked-about titles here, and for good reason. It’s the kind of novel that keeps showing up across multiple lists, which usually means it’s doing something right. When a book gets that kind of consistent recognition, it’s hard not to be curious. These are the kinds of novels that tend to stick with readers long after they finish them.
Another standout is “The Dream Hotel” by Laila Lalami. Lalami has built a reputation for writing thoughtful, layered stories, and this book fits right into that pattern. It’s the kind of novel that blends narrative with bigger questions about society and identity, which makes it a strong pick for readers who want more than just surface-level storytelling.
Then there’s “Stag Dance: A Novel & Stories” by Torrey Peters, which adds something a little different to the mix. A hybrid of forms always catches my attention because it suggests the author is experimenting with structure as much as story. That doesn’t always work for every reader, but when it does, it can be incredibly rewarding.
And finally, “Dead and Alive” by Zadie Smith stands out simply because of the name attached to it. Zadie Smith is one of those authors where expectations are always high. Whether you’ve read her before or not, her inclusion on any list automatically raises its profile.
The Nonfiction Focus

Now, this is where the list really starts to lean into its identity.
There’s a strong emphasis on nonfiction, especially books that explore real people, real events, and cultural movements. That’s very much in line with what Vanity Fair is known for, but it’s also where the list might feel a bit uneven depending on your taste.
For example, “This Year: 365 Songs Annotated” by John Darnielle is a fascinating concept. Music and literature don’t always overlap in obvious ways, but when they do, it can create something unique. This feels like a book that’s less about reading straight through and more about dipping in and out, which can be a nice change of pace.
“Now Jazz Now” by Neneh Cherry and collaborators continues that music theme, offering a deeper dive into a genre that has influenced countless artists. Books like this are great if you’re interested in the cultural side of music, but they’re definitely more niche.
Then you have “All Consuming: Why We Eat the Way We Eat Now” by Ruby Tandoh, which shifts gears into something more universal. Food is one of those topics that connects with almost everyone, and books that explore it through a cultural or psychological lens tend to be both engaging and insightful.
“Toni At Random” by Dana A. Williams is another standout, especially for readers interested in publishing history and literary influence. Toni Morrison’s legacy is massive, and a book that explores her editorial work offers a different angle on her impact.
And of course, there are books like “King of Kings” by Scott Anderson, which dive into major historical events. These kinds of books add weight to the list, giving it a balance between personal stories and global narratives.
The Memoirs and Personal Stories
If there’s one area where this list really doubles down, it’s memoirs.
That’s not surprising. Personal stories have always been a big part of what draws readers in, and they align perfectly with Vanity Fair’s focus on people and culture.
“Paper Girl” by Beth Macy is a great example of this. Memoirs like this tend to blend personal experience with broader social commentary, which makes them feel both intimate and relevant.
Similarly, “Joyride” by Susan Orlean brings a recognizable voice into the mix. Orlean has a way of turning everyday experiences into compelling narratives, and that’s exactly the kind of storytelling that works well in this space.
These are the kinds of books that don’t just tell you a story—they invite you into someone else’s perspective. And even if you don’t connect with every subject, there’s something valuable in that.
The More Unique Picks
Every good list has a few curveballs, and this one is no exception.
“Forest Euphoria” by Patricia Ononiwu Kaishian is one of the more unexpected titles. It blends science, nature, and identity in a way that you don’t see very often. Books like this might not have mass appeal, but they add depth and variety to the list.
“North Sun, or The Voyage of the Whaleship Esther” by Ethan Rutherford is another one that stands out just from the title alone. It suggests a more atmospheric, possibly historical narrative, which can be a great change of pace from more contemporary stories.
And then there’s “Great Black Hope” by Rob Franklin, which feels like it’s tapping into something timely and important. These are the kinds of books that often spark conversations, which is always a good sign.
A Few Thoughts on the Overall List
Looking at the list as a whole, a few things stand out.
First, it’s very clearly curated with a specific audience in mind. This isn’t trying to be a universal “best books” list; it’s trying to reflect a particular perspective. And whether you agree with that perspective or not, there’s value in that kind of curation.
Second, there’s a noticeable emphasis on nonfiction and cultural analysis. That’s not a bad thing, but it does mean the list might feel a bit heavy in places. If you’re someone who prefers fast-paced or purely escapist reads, you might find yourself picking and choosing rather than diving into the list as a whole.
And third, there’s a good mix of well-known authors and lesser-known voices. That balance is important. It keeps the list from feeling predictable while still giving readers a few familiar entry points.
What’s Worth Reading?
At the end of the day, no list is going to be perfect. The real question is: what’s worth your time?
If I had to narrow it down, a few titles stand out as must-reads:
- Flashlight for its consistent buzz and literary recognition
- The Dream Hotel for its thoughtful storytelling
- Stag Dance for something a little different
- Joyride for a strong, engaging voice
Beyond that, it really comes down to what you’re in the mood for. That’s the beauty of a list like this, it gives you options.
Final Thoughts
This is one of those book lists that won’t appeal to everyone, and that’s okay.
It leans heavily into culture, personality, and nonfiction, which makes it feel very on-brand for Vanity Fair. At the same time, it still offers enough variety to keep things interesting, especially if you’re willing to step outside your usual reading habits.
For me, it’s not a list I would follow from top to bottom. But it is a list I would come back to when I’m looking for something different, something I might not have picked up otherwise.
And sometimes, that’s exactly what you need.
So, what do you think? Did any of these books catch your attention, or is this one of those lists that just doesn’t quite land? Either way, it’s always worth taking a look because you never know which book might surprise you.
Until next time, happy reading.
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